Tango Nuovo
(Article by Leopoldo Marechal, taken from the website http://www.psicotango.com.ar/libros.htm)
not likely to be concordant with the reality that the country now lives, and I'm just real estate: I am an Argentinian hopefully. So much for the country. As for myself, what is different: If arriving in this land my grandparents crossed the line with their traditions and destroyed their table of values, to resume the thread that touches me and reconstructed according to the values \u200b\u200bof my race. Proceed in that direction. And I can say that, when all will do the same, the country will have a spiritual dimension. (Adán Buenosayres)
"I think, with
P. Saint-Yves that, when
people will understand the teachings of folklore,
only then will open the era of
genuine peace for humanity. "
(Alfredo Poviña)
E 'must be curious to see how expressing tango boom in current, not only in the country, with the crisis, but throughout the world, ergo, with the crisis. This event can not escape our attention, as a society have a duty to dwell on this point. The theme is to take advantage of this, in the best sense, and the sudden limit, which so often saved us but just as often has sunk. The obstacle that has afflicted us in this regard the systematization of a serious program should be removed immediately in order to begin to be credible. Both the sample and the international meetings that are organized at the level of dance in the country, to date, leave much to be desired. At the same time catches the eye is a sign of deterioration and lack of optimization of both wonderful places, the city has to organize public celebrations, both the tourism programs parallel to what is specifically tango (which should be taken into account in the near future This will multiply). It 'clear that this is a phenomenon that is beginning to emerge, that is, a proof that begins gradually strengthened with intensity, but now falling on assumptions for the coming generations and times.
Tango-dance in its vitality
We could say that in the beginning was the dance arrabal (suburb) and payadas, which in its time, was the lyric of Gardel and Le Pera, at a later time, music of the great orchestras of the '40s, later, the singers, then, Piazzolla, until today, when you are experiencing a return to dancing. What is interesting from the standpoint of evolutionary and dialectical. They are "bowl" dozens of milongas per night and places to learn to dance every day are a growing number of dance studios that open their doors and the greater the workout that dancers call for their performances required in the country and abroad. There is a boom attractive on young people's interest than this, not only of young Argentines, but around the world: its impact, among other things, is to reaffirm that 'Europe "of" wanting to be " marking the footprint, while personal image.
The generation gap is referred to us as essential because the renaissance to grow with such vitality. Although, as a whole, an openness that leaves a "hole" will not serve as a conduit to recuperate lost. There is an old Chinese proverb that says "it takes three generations to get" good china "fine". We can also use the metaphor provide to the dancer and researcher Rodolfo Dinzel, in which he explains that the tango is like a giant three-legged monster, to be known: dance, music and poetry (lyrics), it is essential that move one at a time, because if we moved all three at once, would fall. Nevertheless, it is widely recognized a change in musical structure and come to the fore new bands of young people not without attracting attention.
agree that the Tango-Dance is the new leader of our culture. It is the phenomenon that is currently in preview expressing the components of the "miracle" of the tango. The boom that we could measure quantitatively the amount of dancers, milongas and championships in recent years has been remarkable. More and more people who come to the "temples" tango, such as dance shows that are offered to the rest of the world. Everybody wants to dance and feel the need through the application of their bodies. This indicates clearly the "zeitgeist" (the predominant cultural trend, or spirit of the time) today. It is the revenge of the spirit that is unleashed to gather followers, his insistence shows counterpoint current state of the soul ask to be recognized. The union between body and spirit promoted by the dance, in its mandala, which means that demand is inescapable.
The frame that gives the dance the tango in Buenos Aires, is an area large and growing. People from other countries are in the city a unique place to practice this dance and soak up the culture of sadness and refinement. What is certain is intrusive and that our city that promotes condensation that potential pain, hope, freedom and identity (read: the process of individuation, or self-awareness).
(translation by Pietro Adorni - 02/24/2010)
El Nuevo Tango - Leopoldo Marechal
taken from the website http://www.psicotango.com.ar/libros.htm
No pudiendo solidarizarme with reality facing the country today, I'm alone and motionless, I am an Argentine in hope. That when it comes to the country. As for myself, the thing varies, if getting to this land my grandparents cut the thread of tradition and destroyed the value table to resume my job to reconstruct that thread and to the values \u200b\u200bof my race. In it I walk. And I think that when we all do the same the country will have a spiritual form.
(Adam Buenosayres)
"I think,
P. Saint-Yves,
when the people have understood the lessons of folklore
,
only then will open the era of true peace
for humanity." (Alfredo Poviña) Curious
be seen as showing the rise tanguista today, not only in the country through crisis, but through the world, ergo, by crisis. Such an event we can not escape our attention, as a society have a duty to stop at this point. The theme is to take advantage of that in its best sense and define this improvisation has saved us so much but we both sunk. The setback we face in regard to the systematization of a serious program needs to be eradicated by the early to begin to be credible. Both championships and international events that occur at the level of dance in the country, a day dejan mucho que desear. Por otro lado salta a la vista una tacha de deterioro y falta de aprovechamiento tanto de los lugares maravillosos que posee la ciudad para organizar fiestas públicas, como de los programas de turismo paralelos a lo específicamente tanguístico (hay que tener en cuenta que en un futuro cercano éste se va a multiplicar). Claro, esto es un fenómeno que recién comienza a retallarse, es decir, es una manifestación que comienza paulatinamente a robustecerse con intensidad, pero sobre bases ya caducas para las generaciones y los tiempos entrantes.
a- Tango-Danza en su potencia
Podríamos decir que, en un principio, fue el baile de arrabal y las payadas, que en su momento fue la lírica de Gardel y Le Pera, en otro, la música con las grandes orquestas del cuarenta, más tarde, los cantores, luego, Piazzolla, hasta que hoy en la actualidad se produce una vuelta a la Danza. Cosa interesante desde el punto de vista evolutivo y dialéctico. Al día se "cuecen" decenas de milongas por noche y lugares para aprender a bailar; cada día son más los estudios de danza que abren sus puertas y mayor el entrenamiento que los bailarines exhortan para sus presentaciones requeridas en el país como en el exterior. Hay un auge atrayente en referencia a los intereses de la gente joven con respecto a esto, no sólo de los jóvenes del terruño, sino del mundo: su repercusión, entre otras cosas, también viene a reafirmar that "Europeanism" of wanting to be "which marks the mark, turn the personal.
The generation skipping facing us ensure that the revival was conceived with such power. Although never in its entirety, the hole left by the "bump" is a viaduct to regain lost strength. There is an old Chinese adage that says that takes three generations to achieve "good china" fine. We can also take the metaphor that gives us the dancer and researcher Rodolfo Dinzel, which explains that the tango is like a giant monster with three legs, namely dance, music and poetry (lyrics), for which it is need to move from one, because to move all three at the same time, fall. Despite this, some change is already evident in the musical structure, while new bands come on stage young people are not unnoticed.
stipulate that the Tango-Dance is the new leader of our culture. Phenomenon is currently being expressed in the vanguard elements of the tango prodigy. The boom could be measured quantitatively in the amount of dancers, milongas and championships in recent years has been remarkable. A growing number of people who come to the "temples" tango and dance shows that are offered to the rest of the world. Everybody wants to dance and feel the need for this through the body's demand. The dance clearly marks the current zeitgeist. It is the revenge of the spirit that perish by a following, his insistence referred counterpoint, the stage of the soul asks certificate. The combination of body and spirit that promotes dance from a mandala, the order makes it impossible to circumvent.
The framework gives the City of Buenos Aires with respect to dance tango is a broad and growing spectrum. The people around the world in the city a unique place in the world to practice and immerse themselves in this dance and culture of sadness and refinement. And indiscreet truth is that our city condenses this potential that promotes pain, hope, freedom and identity.
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